



by Felix Agostini, 1966 { The Agostini Legacy }
Félix Agostini called it the “Inverted Table”: a small lesson in geometry set on the floor. Three bronze legs seem to stand head down, joined not at the top but by a stretcher pressed to the floor, the bearing plane slipped where one expects crossbars. The casting keeps the grain of the hand, alive beneath the gilding. A rectangular glass top rests on the three upper points: transparent, it lets the reversal of the base be seen, and the balance held by the sole logic of the supports.